Bach: Cantata BWV 140

Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme” — Comparing 5 recordings: Leppard/English Chamber Orchestra, London Voices (1981), Harnoncourt/Concentus musicus (1984, partial), Gardiner/Monteverdi Choir/English Baroque Soloists (1992), Koopman/Amsterdam Baroque Orchestra & Choir (2006), Lutz/J.S.Bach-Stiftung St.Gallen (2008, DVD)

Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: The Sonatas for Harpsichord and Viola da gamba, BWV 1027 – 1029

Media Review — J.S. Bach: The Sonatas for Viola da gamba, BWV 1027 – 1029: Jordi Savall / Ton Koopman (1977), Anner Bylsma / Bob van Asperen (1990); Lucile Boulanger / Arnaud De Pasquale (2011); includes “collateral” reviews of works included with the aforementioned CDs, such as J.C.F. Bach’s Sonata in A major, J.S. Bach’s violin sonata BWV 1023, and the Toccata No.2 in C minor, BWV 911
Blog post #650 — #rolfsmblog •